Great creative advice from an alternative comedy icon.
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Great creative advice from an alternative comedy icon.
In yoga there’s a great phrase, “stay on your own mat”. In other words, don’t worry if the person next to you is doing some pretzel-twist inversion, just focus on what you’re doing.
It’s really hard in comedy because it’s so tempting to emulate the comedian who went on stage before you and got big laughs from the audience or the writer with the major publishing deal and media appearances. But the truth is that you really can’t win playing their game. The only chance you have of winning is by playing your own game.
So the question is: what is your game?
Do you specialize in physical comedy? Enacting scenes? Miniatures? Observations? Stories? Rants? Spontaneous interaction? Think about it and see if you can analyze your own work for its strengths (I’m sure there are weaknesses too but for now let’s focus on the strengths) – or come to our workshop and let us tell you what we see.
We’ve seen this happen onstage countless times, especially with beginning performers. One comedian excels in telling stories, and even has a particular story to tell, but the comic onstage before them is getting big laughs telling jokes so they try to follow suit with disastrous results. Likewise writers who have a great talent but get lured away from their own instincts by the most recent successful book they read.
Malcolm Gladwell’s article about underdogs prevailing in the New Yorker this week makes this point using some great examples from girls basketball, Lawrence of Arabia, and David – of David vs. Goliath. Like many New Yorker articles, this one goes on and on at some length, so don’t beat yourself if you don’t read the whole thing (or any of it). After all, you aren’t playing the New Yorker’s game, you’re playing yours.
And remember, comedy is an underdog’s game!
File this story under S for ‘Stamina’, F for ‘Follow Your Bliss’, D for ‘Dreams Can Come True’ and Y for ‘You Just Never Know’.
Our friend recently told us about her friend Steve who’s been obsessed with Burt Bacharach’s music since the age of 8 and made a show of Bacharach songs that he performed at various stages for years. He got burned out on it and stopped doing the show all together, but it kept gnawing at him. He just had to do the show again, so he found a tiny theater, literally in a mini-mall in some tiny town in Southern California, and put the show up for a couple of nights. Then guess what?
Burt Bacharach’s wife happened to be in that tiny town, happened to hear about the show, happened to come to a performance and happened to love it. She brought Burt back to see it and he loved it too. And even though he’d never authorized a show like this featuring his music he not only gave his blessing, but became a producer. That show is Back to Bacharach and it just opened in LA.
I’m sure there were many twists between Burt seeing the show and the opening, but you couldn’t ask for a better scenario. Unless Steve got totally screwed on his deal, but we don’t think he did. All in all a pretty good argument for keeping at it even when it seems like you’re swimming upstream. Alone. In shark-infested waters.
Write on.
What are your writing and performance goals? What form and medium is best suited?
Beth defines the differences between standup, readings, essays, acting and one-person shows, using analogies from visual art and food prep.
Recorded at the Un-Cab Lab Writing & Performance Workshop.
Define and accomplish your creative goals. Audit class on Saturdays, April 18 & 25 – only $10 per class. Next session: Saturdays, May 2, 9, 16, 23 (1-4pm) at M-Bar, 1253 N. Vine LA 90038. Register now for super sale prices.62
At the beginning of each class of the Un-Cab Lab Writing & Performance Workshop, you get a chance to ask questions about your creative process. A couple of weeks ago, someone asked how to deal with the negative voices in her head that distracted her from giving a great performance and here’s Beth’s answer: How to Quiet the Negative Voices in Your Head
Quiet your own voices (and find out what they’re trying to tell you). Audit the workshop on Saturdays, April 18 & 25 (1-4pm) – only $10 per class.
Register now for super sale prices on the next session: Saturdays, May 2, 9, 16, 23 (1-4pm). Classes meet at M-Bar, 1253 N. Vine LA 90038. Call 323-993-3305 or e-mail info@uncabaret.com for more info.
Editing is really hard – whether you’re cutting, re-cutting, re-writing or just trimming. Here’s some advice from the pros:
Comedian and author Moon Zappa talks about when to edit. Watch video.
Paul Doucette, drummer of Matchbox 20, has advice on what to do with your ‘outs’ after you’ve edited them – whether its music or words. Watch video.
Michael Patrick King, writer/director/executive producer of Sex and the City, tells you how to avoid including things that you’ll have to cut later, and encourages you to write before you edit. Plus Beth’s ‘Couture/Read-to-Wear Theory” of editing. Watch video.
And here’s two cents from comedy icon Buck Henry, who has appeared on the Daily Show and Saturday Night Live, co-created Get Smart, and wrote several movies including a little film you may have heard of called The Graduate. Watch video.